Diamanda La Berge Dramm (1991) grew up in Amsterdam, the Netherlands playing the violin since the age of four. Growing up among the leading figures of the Dutch classical, avant-garde and improvisation scene, her own concerts reflect all of these elements. At the age of thirteen, she premiered “Raadsels” by Louis Andriessen in the Concertgebouw for the opening of the Holland Festival 2005 and has gone on to perform internationally as a soloist, chamber music player and band member. In April 2018 Diamanda won the Dutch Classical Talent Tour & Award, the first ever string soloist to do so.

She has worked extensively with modern music luminaries such as Christian Wolff, Alvin Lucier, Gunther Schuller, Chaya Czernowin, George Benjamin, and Georg Friedrich Haas.

She completed her Bachelor of Music at the New England Conservatory in Boston with James Buswell and Nicholas Kitchen. At graduation, she was awarded the John Cage Award for her contribution to new music.

Diamanda received her Masters of Music from the Royal Conservatory of the Hague, studying with Vera Beths. She was awarded the Nicolai Prize for the most exceptional recital.

In 2018 she released the Violin Spaces series together with Garth Knox (published by Schott), a brand new set of concerts etudes focusing on extended techniques. Diamanda produced detailed instructional video’s, and toured a show based around the Spaces. She continues to teach them internationally in masterclasses.

Her longtime collaboration with UK poet SJ Fowler resulted in the  EP Beastings in 2019. A follow up album is expected in 2021.

As part of her residency at Muziekgebouw Eindhoven, Diamanda initiated a project around Charles Ives’ Fifth Violin Sonata. The CD and dedicated website were launched in early 2020 during a tour with Sam Amidon.

In March 2020 NRC Handelsblad named Diamanda one of the 101 talents for the next decade. 

As a Splendor Founder she plays and hosts concerts regularly.
Splendor is a collective of 50 musicians, composers, and stage artists who transformed an old bathhouse in the heart of Amsterdam into a local cultural paradise.

Diamanda plays on an Andreas Grütter bow (2015), and an Andranik Gaybaryan violin (2014), purchased with the generous support of the Prins Bernhard Cultuurfonds and the Stichting Eigen Muziekinstrumentenfonds.

“in fifteen minutes Dramm not only created the illusion that her violin is a living organism, but also bare footedly played bass drums and pedal organ, and then sang the macabre poem ‘Crossing the Water’ by Sylvia Plath – the final line of which (“This is the silence of astounded souls”) accurately reflecting the audience’s sentiments. That astonished silence gave way to Purcell’s famous Dido, in which her violin seemed to become human.”

“.. Dramm shows us why she is one of the most exciting performers around.”                                                                      

  NRC Handelsblad

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